• Here For The Music

    • tell me this, pal: why isn't everbody sittin' on a fence in the moonlight playin' a banjo?
    that's all i want to know.

    George Hanson: You know, this used to be a helluva good country. I can’t understand what’s gone wrong with it. Billy: Man, everybody got chicken, that’s what happened. Hey, we can’t even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we’re gonna cut their throat or somethin’. They’re scared, man. George Hanson: They’re not scared of you. They’re scared of what you represent to ‘em. Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut. George Hanson: Oh, no. What you represent to them is freedom. Billy: What the hell is wrong with freedom? That’s what it’s all about. George Hanson: Oh, yeah, that’s right. That’s what’s it’s all about, all right. But talkin’ about it and bein’ it, that’s two different things.

    George Hanson: You know, this used to be a helluva good country. I can’t understand what’s gone wrong with it. 
    Billy: Man, everybody got chicken, that’s what happened. Hey, we can’t even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we’re gonna cut their throat or somethin’. They’re scared, man. 
    George Hanson: They’re not scared of you. They’re scared of what you represent to ‘em. 
    Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut. 
    George Hanson: Oh, no. What you represent to them is freedom. 
    Billy: What the hell is wrong with freedom? That’s what it’s all about. 
    George Hanson: Oh, yeah, that’s right. That’s what’s it’s all about, all right. But talkin’ about it and bein’ it, that’s two different things.

    (Source: jaimiefrances, via whitebuffalowoman)

    23 notes

    (Source: barteringlines)

    7 notes

    Mal: I’ll tell you a riddle. You’re waiting for a train. A train that will take you far away. You know where you hope this train will take you; but you don’t know for sure. But it doesn’t matter. How can it not matter to you where that train will take you?  Cobb: Because you’ll be together. 

    Mal: I’ll tell you a riddle. You’re waiting for a train. A train that will take you far away. You know where you hope this train will take you; but you don’t know for sure. But it doesn’t matter. How can it not matter to you where that train will take you? 

    Cobb: Because you’ll be together. 

    23 notes

    you ought to spend a little more time trying to make something of yourself and a little less time trying to impress people.

    the breakfast club 

    (Source: black-wolves)

    688 notes

    Listen, I don’t mean to be a sore loser, but when it’s done, if I’m dead, kill him.

    3 notes

    The only true currency in this bankrupt world is what we share with someone else when we’re uncool.

    Lester Bangs: Aw, man. You made friends with them. See, friendship is the booze they feed you. They want you to get drunk on feeling like you belong. 
    William Miller: Well, it was fun. 
    Lester Bangs: They make you feel cool. And hey. I met you. You are not cool. 
    William Miller: I know. Even when I thought I was, I knew I wasn’t. 

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    4 notes

    … and if you ever get lonely, just go to the record store and visit your friends.

    … and if you ever get lonely, just go to the record store and visit your friends.

    14 notes

    Sundance Kid: Hey, what are you doin’? Butch Cassidy: Stealin’ your woman? Sundance Kid: [pause] Take her. [sigh] Sundance Kid: Take her. Butch Cassidy: Well, you’re a romantic bastard, I’ll give you that. 

    Sundance Kid: Hey, what are you doin’? 
    Butch Cassidy: Stealin’ your woman? 
    Sundance Kid: [pause] Take her. 
    [sigh] 
    Sundance Kid: Take her. 
    Butch Cassidy: Well, you’re a romantic bastard, I’ll give you that. 

    (Source: sourvix, via watasha-deactivated20120120)

    549 notes